A cinema recruitment spot for Northeast Texas Community College, shot in the counties the college serves and finished for broadcast and social. Three ways to shoot it, priced by the day.
The spot opens on a sunrise over Titus County, moves through the campus programs (welding, automotive, culinary, health science), then follows NTCC graduates into the places they work now: the job site, the shop, the kitchen, the clinic, the farm. Community moments and a closing line land the idea that this region trains its own people and keeps them. Titus County anchors the piece because that is where the industry is. On-camera voices come from all three counties, and a drone pass over a Morris County location keeps the wider service area on screen.
The story is told in on-camera dialogue rather than voiceover, so real students, instructors, and graduates carry it. We mic and direct every speaker on set. NTCC identifies and schedules the people on camera and secures access at each location, campus and workplaces both, with signed releases in hand before shoot day. We lock the schedule together at a pre-production meeting. If a person or location falls through on the day, we cover the beat with stock or restructure the cut.
Cameras, lenses, and support from our own kit.
Every speaker is mic'd and directed on set.
Aerials of campus and the county, with more range in the bigger options.
Story lock, shot list, and schedule built with your team before shoot day.
Color grade, audio mix, and licensed music on every deliverable.
A hero spot and a broadcast cutdown in every option.
Every option delivers a finished :60 and a :30 cutdown. The difference is how many days we shoot, how far we travel, and how much of the concept makes it to camera.
On-camera people scheduled and confirmed: instructors, students, and the graduates we build the story around.
Campus and each workplace arranged ahead of shoot day, with one point of contact with us on set each day.
Signed releases in hand before shoot day. The clinic scene and any school footage with kids need permissions sorted early.
Where something cannot be arranged, we cover the beat with stock or adjust the cut.
We are targeting a November shoot window and will lock dates once your key people's schedules are confirmed. Finished masters are delivered after picture lock with one round of revisions included. The delivery schedule and payment terms are set at the pre-production meeting, before dates lock.